I remember him talking of, when he'd discoverde Martin guitars, and how that changed every-thing for him, and his I do'n t kinow if it was songwriting, per se~ / but he was very happy to have come into them (must have been at home w/or loved the "sound," w/which they produce). But what he'd said then, was that they 'MARTIN,' had sent him two guitars. Both D-28's (however more than just a bit different). One was a regular/normal/as in, "standard" one. And the other, a Clarence White model. And he says or said that he's flown all over the world w/them.

-ther's more Technical stuff that one could get into; but why bother. Slometimes the artists themselves don't always know all that much abouut teh tech specs & whatnot. They're too bus y using them and playing them and al they care bout is whether or nit they like thm and can play them well/or as in comfortably enjoy the sound & et certera. tends to be a bir more personl, too w/acoustic, forms bit more of an organic bond, though sentimentality can exist across those lines too..
